A short concert opener for advanced percussion ensemble, A Little D 'n' A explores fun techniques using muted and open sounds and allows for bluesy improvisation in the keyboard instruments. Fast and furious, this is a showy piece for your next concert.…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
In a display of percussion virtuosity, Axiom goes through many style, meter and texture changes. The piece borrows its shifting and changing time signatures from odd-meter progressive rock - even fully giving in to a common time backbeat.Program NotesAxiom…
Style:
Percussion
Composer:
Eric Thomas Rath
Publisher:
C. Alan Publications
Gilroy takes advantage of this opportunity to expose terrific mallet players along with an assortment of percussive colors that are meant to explore sounds that might be associated with creepy little wiggly things. A challenge for your talented percussionists…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
Joe Clark is a challenging marimba quartet based on a traditional folk tune. You can hear a recording of the piece on the University of North Carolina at Greensboro Percussion Ensemble's CD, “Sketches.”
Grade Level: 3 Copyright: 1990 Number of Players: 4…
Style:
Percussion
Composer:
Robert Marek
Publisher:
C. Alan Publications
This three-movement work is truly a tour-de-force for marimba quartet. Two mallets throughout. You can hear a recording of Sonata on the University of North Carolina at Greensboro Percussion Ensemble's CD, “Sketches.”
Grade Level: 4 Copyright: 1990 Number of…
Style:
Percussion
Composer:
Robert Marek
Publisher:
C. Alan Publications
Tango! was premiered at the International Double Reed Society Convention in 2015. After spending time poring over the music of Astor Piazzolla, Rath composed decided that a tango would provide a lighter contrast to the repertoire.Program NotesTango! was…
Style:
Woodwind, Percussion
Composer:
Eric Thomas Rath
Publisher:
C. Alan Publications
Composed with four clear sections, with the quarter note at either 84 or 144, each part is linked together very musically. A complete spectrum of dynamic ranges are explored throughout, with softer moments at the beginning and a driving section to end the…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications