A short concert opener for advanced percussion ensemble, A Little D 'n' A explores fun techniques using muted and open sounds and allows for bluesy improvisation in the keyboard instruments. Fast and furious, this is a showy piece for your next concert.…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
Although challenging, Apokrypha is a very rewarding enterprise for the performers, showcasing the collaboration of saxophone and percussion, whose musical possibilities are truly endless.Program NotesApokrypha is a two-movement work that explores the unique…
Style:
Percussion
Composer:
James Fusik
Publisher:
C. Alan Publications
Gilroy takes advantage of this opportunity to expose terrific mallet players along with an assortment of percussive colors that are meant to explore sounds that might be associated with creepy little wiggly things. A challenge for your talented percussionists…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
Flow like water, because water always seeks the path of least resistance, yet is strong enough to demolish even stone when no recourse is available.
Grade Level: 5 Copyright: 2015 Number of Players: 2 Duration: 7:45 Publisher: C. Alan Publications Type: Duet…
Style:
Percussion
Composer:
Steven Simpson
Publisher:
C. Alan Publications
Fluidity layers various syncopated and non-syncopated patterns together to produce an undulating effect that creates an interesting and meditative atmosphere.Program NotesWhen you accurately perceive the fluidity of things, you can also begin to perceive the…
Style:
Percussion
Composer:
Steven Simpson
Publisher:
C. Alan Publications
Radioactive Octopus was inspired by the earthquake and subsequent nuclear disaster that occurred in Japan in March of 2011. Each player represents two of the tentacles of the octopus, and a visual movement of the octopus is portrayed through imitation of…
Style:
Percussion
Composer:
Steven Simpson
Publisher:
C. Alan Publications
Composed with four clear sections, with the quarter note at either 84 or 144, each part is linked together very musically. A complete spectrum of dynamic ranges are explored throughout, with softer moments at the beginning and a driving section to end the…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications