A short concert opener for advanced percussion ensemble, A Little D 'n' A explores fun techniques using muted and open sounds and allows for bluesy improvisation in the keyboard instruments. Fast and furious, this is a showy piece for your next concert.…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
Gilroy takes advantage of this opportunity to expose terrific mallet players along with an assortment of percussive colors that are meant to explore sounds that might be associated with creepy little wiggly things. A challenge for your talented percussionists…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
for Multi-Percussion Trio
Drum-e Piece No. 1 is an exciting, blazing-fast work for 3 percussionists with similar drum & cymbal set-ups. The piece alternates between bombastic unison figures and moments for each player to shine.Program NotesDrum-e Piece No…
Style:
Percussion
Composer:
Ian McClaflin
Publisher:
C. Alan Publications
Scored for two drum sets, Drum-e Piece No. 2 certainly stands out from other multi-percussion duets! Split rhythmic lines between the players, street beats, and improvised solos are all incorporated, making this piece a sure crowd-pleaser!Program NotesDrum-e…
Style:
Percussion
Composer:
Ian McClaflin
Publisher:
C. Alan Publications
Formula is a percussion quartet that will keep the audience entertained as well as providing a challenge to its players. The piece incorporates four different styles of playing that will showcase the range of its performers and is a great programming choice…
Style:
Percussion
Composer:
Ian McClaflin
Publisher:
C. Alan Publications
Fuze-Summit is a piece that combines elements of a concert percussion ensemble with a rhythm section. Members of this ensemble will alternate between comping patterns along with changing melodies.Program NotesFuze-Summit is a piece that combines elements of a…
Style:
Percussion
Composer:
Ian McClaflin
Publisher:
C. Alan Publications
Composed with four clear sections, with the quarter note at either 84 or 144, each part is linked together very musically. A complete spectrum of dynamic ranges are explored throughout, with softer moments at the beginning and a driving section to end the…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications