Why should the brass get to play all of the fanfares? Andrew Blair’s new work anti-Fanfare is a thrilling and unique concert opener for wind ensemble, minus brass, that allows your band to stand out, while the brass get to take a well-deserved break!Program…
Style:
Concert Band
Composer:
Andrew Blair
Publisher:
C. Alan Publications
An earth-shaking percussion ensemble for 10 players that grooves in 7/4? Got it. Soaring mallet melodies punctuated by jagged rhythmic counterpoint? Absolutely. Solos featuring Snare, Djembe, Bongos, and Timpani so you can "give the drummer some"? You're…
Style:
Percussion
Composer:
Larry Lawless
Publisher:
C. Alan Publications
What would it sound like if Claude Debussy had been able to score for the modern wind band? Andrew Blair’s new orchestration of Debussy’s beloved Clair de Lune attempts to answer the question by faithfully and stunningly recreating the work for today’s wind…
Style:
Concert Band
Composer:
Andrew Blair
Publisher:
C. Alan Publications
This Romantic classic by Antonin Dvorak has been masterfully arranged for marimba quintet (or marimba orchestra) by Clair Omar Musser and edited by Dan Armstrong. Perfect for bringing out the sensitive side of your percussionists.
Grade Level: 1 Copyright:…
Style:
Percussion
Composer:
Dvorak, Musser, Dan Armstrong
Publisher:
C. Alan Publications
(with apologies to Dvorak)
Driving sixteenth notes in the hi-hat and thumping syncopation in the bass create the foundation over which Dvorak’s masterwork can shine. Alternating between double-time and half-time in the accompaniment, Kiefer’s brief 2-minute…
Style:
Concert Band
Composer:
Dvorak, Ed Kiefer
Publisher:
C. Alan Publications
Inspired by the Riverwalk in downtown San Antonio, Texas, San Antonio Nights evokes the sights and sounds of this beautiful southwestern city. Accompanied by traditional Latin percussion instruments, with instructions for substitutes if those instruments are…
Style:
Percussion
Composer:
Larry Lawless
Publisher:
C. Alan Publications
A beautiful arrangement of one of Dvorak's most popular orchestral works. Originally for strings, Mikkelson has adapted Serenade, Op. 22 for woodwinds with cello and bass.Program NotesThe Serenade in E, Opus 22, for String Orchestra was written at a pivotal…
Style:
Concert Band
Composer:
Russell Mikkelson, Dvorak
Publisher:
C. Alan Publications
Originally written for piano 4-hands, Zambito has skillfully adapted Dvorak's masterwork for marimba duet. Op. 46, No. 1 is set in C major and moves along at a breakneck tempo. This exciting duet would make be a perfect closing number for a recital or even an…
Style:
Percussion
Composer:
Pete Zambito, Dvorak
Publisher:
C. Alan Publications
Originally written for piano 4-hands, Zambito has skillfully adapted Dvorak's masterwork for marimba duet. Op. 72, No. 2 moves along in a romantic and graceful manner, giving way to a great deal of rubato on the part of both players. A wonderful exercise in…
Style:
Percussion
Composer:
Pete Zambito, Dvorak
Publisher:
C. Alan Publications
from 'Rusalka'
This beautifully lush arrangement of Song to the Moon from Dvorak's opera 'Rusalka' is designed to be performed without soprano soloist. However, if you have voice faculty or a guest artist you would like to feature that has this aria in their…
Style:
Percussion
Composer:
Dvorak, Nathan Daughtrey
Publisher:
C. Alan Publications