The three selections in this transcription adapt extremely well to the marimba and, in turn, showcase many of the virtuosic four-mallet techniques found in contemporary marimba literature, such as close-interval sticking and arpeggios/scales involving all…
Style:
Solo Works
Composer:
Paganini, Nathan Daughtrey
Publisher:
C. Alan Publications
The three selections in this transcription adapt extremely well to the marimba and, in turn, showcase many of the virtuosic four-mallet techniques found in contemporary marimba literature, such as close-interval sticking and arpeggios/scales involving all…
Style:
Solo Works
Composer:
Paganini, Nathan Daughtrey
Publisher:
C. Alan Publications
The three selections in this transcription adapt extremely well to the marimba and, in turn, showcase many of the virtuosic four-mallet techniques found in contemporary marimba literature, such as close-interval sticking and arpeggios/scales involving all…
Style:
Solo Works
Composer:
Paganini, Nathan Daughtrey
Publisher:
C. Alan Publications
Only two mallets are required for the majority of the piece, with four required in the slower middle section. This is a wonderful addition to the existing body of marimba duet literature with the melodic, harmonic, and rhythmic interplay between the two…
Style:
Percussion
Composer:
Thomas Grassano
Publisher:
C. Alan Publications
Written for solo percussion and utilizing several instruments, the first movement is a three-voice fugue, challenging the performer to enhance the subject and counter-subject interplay. The second movement, Trio, makes use of the metallic percussion…
Style:
Solo Works
Composer:
Thomas Grassano
Publisher:
C. Alan Publications
Written in memoriam for a friend and fellow service member who passed too early, Nocturne was premiered in a nearly pitch black space, alluding to the nature of a “nocturne.” While this is not a requirement for all performances, a dimly lit stage, etc. lends…
Style:
Percussion
Composer:
Andrew Thomson
Publisher:
C. Alan Publications
Octavius is a highly technical solo that explores the octave interval (hence the name) and is suitable for the advanced high school or college marimbist. A slow chorale in the middle gives both the audience and performer a rest from repetitions of flashy runs…
Style:
Percussion
Composer:
Andrew Thomson
Publisher:
C. Alan Publications






