1-21 is a quartet for mallet instruments and toms inspired by music, chanting, and energy of the Women’s March. Each member of the ensemble has the opportunity to play both a mallet instrument and toms. The piece contains rhythms inspired by sambas and chants…
Style:
Percussion
Composer:
Angela Kepley
Publisher:
C. Alan Publications
and we meet again… caters to students with a variety of experience levels. A groovy bass line begins the piece as beautiful yet mysterious melodic lines layer over the top. B major peaks through in the middle, bringing a brighter energy to the second half of…
Style:
Percussion
Composer:
Angela Kepley
Publisher:
C. Alan Publications
Although challenging, Apokrypha is a very rewarding enterprise for the performers, showcasing the collaboration of saxophone and percussion, whose musical possibilities are truly endless.Program NotesApokrypha is a two-movement work that explores the unique…
Style:
Percussion
Composer:
James Fusik
Publisher:
C. Alan Publications
Bring your groove, expression, and energy for this exciting piece. From the huge opening statement followed by a couple of quirky sections, a gentle rolling melody, and a rockin’ ending, this piece is a sure crowd pleaser.Program NotesBon Voyage was written…
Style:
Solo Works
Composer:
Angela Kepley
Publisher:
C. Alan Publications
The Circus Bee is a circus march composed by Henry Fillmore in February 1908. The march is named after an imaginary circus newspaper and reflects Fillmore's personal enthusiasm for the excitement and sounds of the Big Top. Traditionally scored as a technical…
Style:
Percussion
Composer:
Brandon Dittgen, Fillmore
Publisher:
C. Alan Publications
Dynamic Duos for Mallets is a collection for keyboard instruments (bells, xylophone, vibraphone, marimba) that is accessible for young percussionists while being musically interesting for both players and audiences. Through the use of multiple key signatures…
Style:
Percussion
Composer:
Angela Kepley
Publisher:
C. Alan Publications
Matafnik begins with layering a variety of sounds, creating interesting composite rhythms and visual patterns. The paradiddle, a common percussion rudiment, is used as the basis for the second section of the piece. The performers then transition to the…
Style:
Percussion
Composer:
Angela Kepley
Publisher:
C. Alan Publications
for Solo Marimba
Reflections utilizes the low end of a 5-octave marimba and opens with a calm motif that develops throughout the piece. The composition ebbs and flows and includes a few moments of intensity before returning to the calm and contemplative.…
Style:
Solo Works
Composer:
Angela Kepley
Publisher:
C. Alan Publications