Cerulean Blue for solo vibraphone begins and ends with a simple melody, while the B section is driven by 4-1-3-2 and outside-inside permutations, accenting the moving line. This laid-back composition is a welcome addition to a solo recital.Program…
Style:
Solo Works
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
The opening theme is presented as a lush four-part chorale with a beautiful climax toward the end. The following variations don’t stray harmonically very far from the theme, rather they require more from the performer, both rhythmically and technically. Every…
Style:
Solo Works
Composer:
George Frock
Publisher:
C. Alan Publications
Fanfare Bravo is scored for three metallic keyboard instruments and a membrane quartet. The middle section of the composition reaches a climax with the percussionists performing improvised solos. At the conclusion of each solo the players, if so moved, can…
Style:
Percussion
Composer:
George Frock
Publisher:
C. Alan Publications
Rooted in a fairly standard percussion ensemble setup, The Forgotten pulls some less-common instrumentation and colors from the depths of the percussion storage, and puts them back into circulation as the composition floats between driving, haunting, delicate…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Lion Story is a quartet in four movements for young percussion ensemble. Each movement features a solo part on melody with ostinato accompaniment perfect for a middle school or beginning percussion ensemble.Program NotesWhen my son, Branden, was 5 years old…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Each instrumentalist participates equally throughout this one-movement work in six sections. Music for Viola and Percussion is ideal for undergraduate, graduate or faculty recitals.Program NotesMusic for Viola and Percussion was written for two of Charles…
Style:
Percussion
Composer:
Charles Knox
Publisher:
C. Alan Publications
Aptly named for the lustrous black volcanic glass, Obsidian mixes the glitter of the metals with the darkness of Marimba and Timpani in an enigmatic feel. Written with great flexibility towards the size of the ensemble, Obsidian can serve as a full large-…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Seventh Tries is a composition written for four-mallet marimba performance. The title is derived from the extensive use of major 7th chords.Program NotesFrock explores several different sticking permutations in the first section of the piece, set completely…
Style:
Solo Works
Composer:
George Frock
Publisher:
C. Alan Publications
Spiel features the prominent voice of the glockenspiel throughout, and embraces the use of Boomwhackers as part of the percussion ensemble. Intended as a fun and playful piece for the performers, your audience is sure to feel the excitement of the work as…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
They May Be Listening gives a furtive, secret agent vibe as it weaves in and out of layers and utilizes whispering by the players throughout. Each mallet instrument is paired with a snare drum that intermittently shares its entrances and stickings, while…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications