Etude No. 4 was conceived to develop dexterity, strength, and endurance in double lateral, four-mallet sticking technique. The sequential sticking pattern 123234 is a pattern I use in a variety of applications in everyday practice. Dedicated to Leigh Howard…
Style:
Solo Works
Composer:
Michael Burritt
Publisher:
C. Alan Publications
Etude No. 5 is an exercise that develops independence between the hands. It centers around rolling in one hand while playing rubato in the other. The etude also works much like a multiple percussion piece in that the performer is required to make mallet…
Style:
Solo Works
Composer:
Michael Burritt
Publisher:
C. Alan Publications
Etude No. 6 develops both rhythmic and dynamic independence between hands as well as one-handed rolls, double lateral and double vertical strokes. This is also a good exercise for developing consistency in octave passage work. A good sense of pulse is…
Style:
Solo Works
Composer:
Michael Burritt
Publisher:
C. Alan Publications
This Romantic classic by Antonin Dvorak has been masterfully arranged for marimba quintet (or marimba orchestra) by Clair Omar Musser and edited by Dan Armstrong. Perfect for bringing out the sensitive side of your percussionists.
Grade Level: 1 Copyright:…
Style:
Percussion
Composer:
Dvorak, Musser, Dan Armstrong
Publisher:
C. Alan Publications
(with apologies to Dvorak)
Driving sixteenth notes in the hi-hat and thumping syncopation in the bass create the foundation over which Dvorak’s masterwork can shine. Alternating between double-time and half-time in the accompaniment, Kiefer’s brief 2-minute…
Style:
Concert Band
Composer:
Dvorak, Ed Kiefer
Publisher:
C. Alan Publications
A beautiful arrangement of one of Dvorak's most popular orchestral works. Originally for strings, Mikkelson has adapted Serenade, Op. 22 for woodwinds with cello and bass.Program NotesThe Serenade in E, Opus 22, for String Orchestra was written at a pivotal…
Style:
Concert Band
Composer:
Russell Mikkelson, Dvorak
Publisher:
C. Alan Publications
This is the solo version of BurrittÕs popular piece for solo marimba and percussion quartet. It explores the full range of the instrument and of marimba technique. Extremely challenging but idiomatic writing makes this an impressive piece to add to your…
Style:
Solo Works
Composer:
Michael Burritt
Publisher:
C. Alan Publications
Marimba Feature
This is the ensemble version of Burritt’s popular piece for solo marimba and percussion quartet. It explores the full range of the instrument and of marimba technique. Extremely challenging, but idiomatic writing makes this an impressive piece…
Style:
Percussion
Composer:
Michael Burritt
Publisher:
C. Alan Publications
Originally written for piano 4-hands, Zambito has skillfully adapted Dvorak's masterwork for marimba duet. Op. 46, No. 1 is set in C major and moves along at a breakneck tempo. This exciting duet would make be a perfect closing number for a recital or even an…
Style:
Percussion
Composer:
Pete Zambito, Dvorak
Publisher:
C. Alan Publications
Originally written for piano 4-hands, Zambito has skillfully adapted Dvorak's masterwork for marimba duet. Op. 72, No. 2 moves along in a romantic and graceful manner, giving way to a great deal of rubato on the part of both players. A wonderful exercise in…
Style:
Percussion
Composer:
Pete Zambito, Dvorak
Publisher:
C. Alan Publications