A short concert opener for advanced percussion ensemble, A Little D 'n' A explores fun techniques using muted and open sounds and allows for bluesy improvisation in the keyboard instruments. Fast and furious, this is a showy piece for your next concert.…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Program NotesConsortium was written for the University of North Carolina at Greensboro Percussion…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Gilroy takes advantage of this opportunity to expose terrific mallet players along with an assortment of percussive colors that are meant to explore sounds that might be associated with creepy little wiggly things. A challenge for your talented percussionists…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of orchestration really brings out all the rhythmic and harmonic nuances inherent in the piece. Curled…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
OU Percussion Press
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
A majestic intro leads into a syncopated melody in the marimba, supported by the rest of the mallet instruments. Middle section of the piece features everyone on wooden instruments, then on membrane instruments. Perfect for a high school or college ensemble.…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Composed with four clear sections, with the quarter note at either 84 or 144, each part is linked together very musically. A complete spectrum of dynamic ranges are explored throughout, with softer moments at the beginning and a driving section to end the…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications