A short concert opener for advanced percussion ensemble, A Little D 'n' A explores fun techniques using muted and open sounds and allows for bluesy improvisation in the keyboard instruments. Fast and furious, this is a showy piece for your next concert.…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
Aqueous Transfusion is a meditative work for solo vibraphone and background track, featuring a metallic orchestra accompanying an evocative solo part. A general feeling of ‘underwater’-ness permeates the track, and this work stands as the first known use of…
Style:
Solo Works
Composer:
Jamie Whitmarsh
Publisher:
C. Alan Publications
Gilroy takes advantage of this opportunity to expose terrific mallet players along with an assortment of percussive colors that are meant to explore sounds that might be associated with creepy little wiggly things. A challenge for your talented percussionists…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
Inspired by the first sentences of Walt Whitman's poem "Song of the Open Road," where he describes the many choices you can make in your live, the different ways you can take, but at the end you come at the final place you should be. The Path Before Me is an…
Style:
Solo Works
Composer:
Walter Mertens
Publisher:
C. Alan Publications
Song of the Open Road is a colorful three-section work for solo vibraphone and orchestra inspired by Walt Whitman’s poem of the same title. Equally lyrical and virtuosic, this is the perfect opportunity to showcase the talents of a percussion soloist with…
Style:
String Orchestra
Composer:
Walter Mertens
Publisher:
C. Alan Publications
Song of the Open Road is a colorful three-section work for solo vibraphone and orchestra inspired by Walt Whitman’s poem of the same title. Equally lyrical and virtuosic, this is the perfect opportunity to showcase the talents of a percussion soloist with…
Style:
Percussion
Composer:
Walter Mertens
Publisher:
C. Alan Publications
Composed with four clear sections, with the quarter note at either 84 or 144, each part is linked together very musically. A complete spectrum of dynamic ranges are explored throughout, with softer moments at the beginning and a driving section to end the…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications