A short concert opener for advanced percussion ensemble, A Little D 'n' A explores fun techniques using muted and open sounds and allows for bluesy improvisation in the keyboard instruments. Fast and furious, this is a showy piece for your next concert.…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
This percussion sextet written predominantly in 6/4 phrases in alternating bars of 5/8 and 7/8. The 6/4 motivic development blends and creates a rhythmic tension against the 2-3-2-2-3 beaming. A rhythmic motif of sixteenth notes on the “two” groupings drive…
Style:
Percussion
Composer:
Michael Varner
Publisher:
C. Alan Publications
Gilroy takes advantage of this opportunity to expose terrific mallet players along with an assortment of percussive colors that are meant to explore sounds that might be associated with creepy little wiggly things. A challenge for your talented percussionists…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications
This is a contemporary ensemble that features a wide range of colors and textures based around a Rondo form using as many variants on “Seven” as possible. Each performer plays a tambourine giving lots of opportunity for various tambourine technical work. This…
Style:
Percussion
Composer:
Michael Varner
Publisher:
C. Alan Publications
The Silence Between… is an advanced multiple percussion solo written for 4 toms, 4 almglocken, and opera gong. It is a minimalist set up that challenges the performer to explores an incredible vocabulary of sounds and effects while offering the listener new…
Style:
Solo Works
Composer:
Michael Varner
Publisher:
C. Alan Publications
Voices of Himeji is an exciting quartet of three movements portraying a beautiful castle in Japan, high on a hill, guarding the city silently for centuries. Divided into separate movements of Drums, Marimbas, and Metals, each feature distinctive groupings of…
Style:
Percussion
Composer:
Michael Varner
Publisher:
C. Alan Publications
Composed with four clear sections, with the quarter note at either 84 or 144, each part is linked together very musically. A complete spectrum of dynamic ranges are explored throughout, with softer moments at the beginning and a driving section to end the…
Style:
Percussion
Composer:
Gary Gilroy
Publisher:
C. Alan Publications