Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Program NotesConsortium was written for the University of North Carolina at Greensboro Percussion…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Piano Feature
This intense piece for solo piano and percussion quartet is a tour-de-force that doesn’t give you a chance to breathe. The piano part incorporates polyrhythms between the hands throughout the piece, while the percussionists play ostinati in the…
Style:
Percussion
Composer:
Robert Constable
Publisher:
C. Alan Publications
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of orchestration really brings out all the rhythmic and harmonic nuances inherent in the piece. Curled…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
OU Percussion Press
with CD Accompaniment
Dramatic theater piece which is choreographed (pictures included to aid in the learning of the piece). Marching style drumming permeates the composition. Fun novelty piece for your next recital!
Grade Level: 3 Copyright: 1996 Number of…
Style:
Solo Works
Composer:
Robert Constable
Publisher:
C. Alan Publications
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the wooden sounds and form their own groove/melody in 12/8. The piece concludes in a persistent, driving…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Off Axis includes an impressive virtuosic (yet idiomatic) solo part. Glassock uses the ensemble as a sounding board for the solo marimba with much rhythmic interplay and imitation. Constantly changing meters (4/4, 7/16, 9/16, 3/4, etc.) before…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Reconcilable Differences is an intriguing work for solo marimba with percussion trio. The rhythmic structure of the work starts out with recurring 32nd note motives that are slow soft and undulating. As the work progress the rhythmic structure…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
This driving percussion quartet features a constantly changing sense of pulse that can be found in many genres of music, including East African folk music, Balinese Gamelan ensembles, medieval isorhythmic motets and even American rudimental drumming.Program…
Style:
Percussion
Composer:
James M. David
Publisher:
C. Alan Publications
A majestic intro leads into a syncopated melody in the marimba, supported by the rest of the mallet instruments. Middle section of the piece features everyone on wooden instruments, then on membrane instruments. Perfect for a high school or college ensemble.…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications