Cerulean Blue for solo vibraphone begins and ends with a simple melody, while the B section is driven by 4-1-3-2 and outside-inside permutations, accenting the moving line. This laid-back composition is a welcome addition to a solo recital.Program…
Style:
Solo Works
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Rooted in a fairly standard percussion ensemble setup, The Forgotten pulls some less-common instrumentation and colors from the depths of the percussion storage, and puts them back into circulation as the composition floats between driving, haunting, delicate…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
The Mental Manacles of the Rhythmically Divine is a play on the rhythmically difficult devices that run the course of this 5-minute work from its unsettling beginning to its maniacal ending.Program NotesThe Mental Manacles of the Rhythmically Divine was…
Style:
Percussion
Composer:
Jesus Martinez
Publisher:
C. Alan Publications
Aptly named for the lustrous black volcanic glass, Obsidian mixes the glitter of the metals with the darkness of Marimba and Timpani in an enigmatic feel. Written with great flexibility towards the size of the ensemble, Obsidian can serve as a full large-…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Originally titled, Prelude and Nocturne for the left hand, Op. 9 no. 1&2, this piece is composed of two movements and is originally written in 1894 for piano and strictly for the left hand. The musical style of the piece conveys late romanticism and is…
Style:
Solo Works
Composer:
Jesus Martinez, Scriabin
Publisher:
C. Alan Publications
They May Be Listening gives a furtive, secret agent vibe as it weaves in and out of layers and utilizes whispering by the players throughout. Each mallet instrument is paired with a snare drum that intermittently shares its entrances and stickings, while…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications