Dedicated to marimbist Nanae Mimura, Apsara #1 opens and closes with a lyrical and expansive melody, at first rolled, then arpeggiated at the end. The virtuosic middle section is fast and furious and requires technical facility and stamina from the performer…
Style:
Solo Works
Composer:
Leander Kaiser
Publisher:
C. Alan Publications
Cerulean Blue for solo vibraphone begins and ends with a simple melody, while the B section is driven by 4-1-3-2 and outside-inside permutations, accenting the moving line. This laid-back composition is a welcome addition to a solo recital.Program…
Style:
Solo Works
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Rooted in a fairly standard percussion ensemble setup, The Forgotten pulls some less-common instrumentation and colors from the depths of the percussion storage, and puts them back into circulation as the composition floats between driving, haunting, delicate…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
There is not much time for rest over the course of this 8 minute work!Advanced players will find this work technically challenging, but it will be very rewarding for player and audience from a visual and aural standpoint.Program Notes3rd Place Winner of the…
Style:
Solo Works
Composer:
Leander Kaiser
Publisher:
C. Alan Publications
Melting Point begins in a rather cool mood (especially after the four opening bars), and seems to heat up more and more, with the culminating point in bars 139/140. It ends as icily as it started.
Grade Level: 4 Copyright: 2012 Number of Players: 4 Duration:…
Style:
Percussion
Composer:
Leander Kaiser
Publisher:
C. Alan Publications
Written for a 4.3 octave marimba, Kaiser uses the entire range of the keyboard on this energetic solo. As the title suggests, Minotaurus is an aggressive solo with many technical challenges. This forceful composition can be showcased on any student recital or…
Style:
Solo Works
Composer:
Leander Kaiser
Publisher:
C. Alan Publications
Aptly named for the lustrous black volcanic glass, Obsidian mixes the glitter of the metals with the darkness of Marimba and Timpani in an enigmatic feel. Written with great flexibility towards the size of the ensemble, Obsidian can serve as a full large-…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Because it is a “recital piece,” this work does not employ any experimental techniques and concepts; however, it is based on an idea of musical simultaneity. In fact, different rhythm structures, pitch structures, timbres, and musical characteristics are…
Style:
Solo Works
Composer:
Yo Goto
Publisher:
C. Alan Publications
They May Be Listening gives a furtive, secret agent vibe as it weaves in and out of layers and utilizes whispering by the players throughout. Each mallet instrument is paired with a snare drum that intermittently shares its entrances and stickings, while…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Opposite musical characteristics such as soft and loud, comfort and angular, static and active, hesitant and steadfast are contrastingly employed in this piece.Program NotesValse Éxcentrique is composed as a part of series of pieces written by three composers…
Style:
Solo Works
Composer:
Yo Goto
Publisher:
C. Alan Publications