Almost a Wink is a jazzy, melodically-driven work for solo vibraphone, giving the performer the opportunity to add his or her personal touch through improvisation. A perfect piece for an undergraduate percussion recital.
Grade Level: 3 Copyright: 2012 Number…
Style:
Solo Works
Composer:
Nate Anderson
Publisher:
C. Alan Publications
Cerulean Blue for solo vibraphone begins and ends with a simple melody, while the B section is driven by 4-1-3-2 and outside-inside permutations, accenting the moving line. This laid-back composition is a welcome addition to a solo recital.Program…
Style:
Solo Works
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Cymplified rocks as many cymbal sounds and textures as you have in your arsenal. Ranging from finger cymbals to hand crashes, all of these instruments converge to shine at the center of attention.
Grade Level: Intermediate Copyright: 2023 Number of Players: 6…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Rooted in a fairly standard percussion ensemble setup, The Forgotten pulls some less-common instrumentation and colors from the depths of the percussion storage, and puts them back into circulation as the composition floats between driving, haunting, delicate…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
The Full Meda is all about groove and energy. Time is very important as the source for the energy, so challenge your percussionists to keep it up! Part of The EDGE Series.Program NotesThe Full Meda is all about groove and energy. Time is very important as the…
Style:
Percussion
Composer:
Nate Anderson
Publisher:
C. Alan Publications
Lion Story is a quartet in four movements for young percussion ensemble. Each movement features a solo part on melody with ostinato accompaniment perfect for a middle school or beginning percussion ensemble.Program NotesWhen my son, Branden, was 5 years old…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Aptly named for the lustrous black volcanic glass, Obsidian mixes the glitter of the metals with the darkness of Marimba and Timpani in an enigmatic feel. Written with great flexibility towards the size of the ensemble, Obsidian can serve as a full large-…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
This is a catchy work for marimba and vibe. The piece starts with a groove vamp from the marimba player. The vibe player comes in with chords that establish the chord structure of the work. Sections for open solos are included. The piece ends with a…
Style:
Percussion
Composer:
Nate Anderson
Publisher:
C. Alan Publications
Quartets that Travel is a collection of 13 short quartets for small auxiliary percussion, perfect for performances where large equipment is not ideal, transitions between set changes, or for ensembles with limited instrumentation. The set progresses from…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Ripeness is a short concert-style overture that uses a [0267] tetrachord, a nearly ubiquitous soundset found in modern literature, including music for concert bands, orchestras, and marching bands. This piece is perfect for the developing percussion ensemble.…
Style:
Percussion
Composer:
Phillip Long
Publisher:
C. Alan Publications