Beyond the Sequestered Grove is simply the second movement (Cadenza lenta) extracted from Zachary Cairns' Concert(in)o for Marimba & Wind Quintet. It is largely an introspective work, but there is plenty of understated, undulating urgency to showcase the…
Style:
Percussion
Composer:
Zachary Cairns
Publisher:
C. Alan Publications
Cerulean Blue for solo vibraphone begins and ends with a simple melody, while the B section is driven by 4-1-3-2 and outside-inside permutations, accenting the moving line. This laid-back composition is a welcome addition to a solo recital.Program…
Style:
Solo Works
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Written for percussionist Jeffrey Barudin, Concert(in)o for Marimba & WInd Quintet is a challenging, delightful three-movement work that showcases the full range of the marimba, both musically & physically.Program NotesConcert(in)o for Marimba and…
Style:
Percussion
Composer:
Zachary Cairns
Publisher:
C. Alan Publications
Rooted in a fairly standard percussion ensemble setup, The Forgotten pulls some less-common instrumentation and colors from the depths of the percussion storage, and puts them back into circulation as the composition floats between driving, haunting, delicate…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Set in two movements - Hocket-ish and Tandem - Interactions for Baritone Saxophone & Percussion is a tour-de-force for both players and a delight for audiences, both visually and aurally.Program NotesInteractions for Baritone Saxophone and Percussion…
Style:
Percussion
Composer:
Zachary Cairns
Publisher:
C. Alan Publications
Lion Story is a quartet in four movements for young percussion ensemble. Each movement features a solo part on melody with ostinato accompaniment perfect for a middle school or beginning percussion ensemble.Program NotesWhen my son, Branden, was 5 years old…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Aptly named for the lustrous black volcanic glass, Obsidian mixes the glitter of the metals with the darkness of Marimba and Timpani in an enigmatic feel. Written with great flexibility towards the size of the ensemble, Obsidian can serve as a full large-…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
Pointillism takes its name from a painting technique exploited by the French artist Georges Seurat. Small dots of color were juxtaposed on the canvas so that when viewed from a distance the colors were mixed optically. An attempt to transfer the technique to…
Style:
Percussion, Woodwind
Composer:
Vida Chenoweth
Publisher:
C. Alan Publications
Spiel features the prominent voice of the glockenspiel throughout, and embraces the use of Boomwhackers as part of the percussion ensemble. Intended as a fun and playful piece for the performers, your audience is sure to feel the excitement of the work as…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications
They May Be Listening gives a furtive, secret agent vibe as it weaves in and out of layers and utilizes whispering by the players throughout. Each mallet instrument is paired with a snare drum that intermittently shares its entrances and stickings, while…
Style:
Percussion
Composer:
Jessica Flannigan
Publisher:
C. Alan Publications