Commissioned by Lisa Rogers at Texas Tech University, Imageries is an effective marriage of jazz and classical styles. It is in three movements: Minister of Grace, The Sunnier Side of Doubt, and A Glorious Secret. Very clear indications of mallet and pedal…
Style:
Solo Works
Composer:
Jon Metzger
Publisher:
C. Alan Publications
This contrasting pair of solo jazz vibraphone pieces from the inimitable Jon Metzger cleverly includes a lead sheet before each begins. This will allow the soloist to embellish the tune further as he or she becomes more comfortable. It will also allow the…
Style:
Solo Works
Composer:
Jon Metzger
Publisher:
C. Alan Publications
In Moral Compass, Metzger conveys Twain’s time-honored and meaningful text in a new light, blending jazz and classical styles. Throughout every movement of the piece, the saxophone and voice are woven together to create beautiful lyrical lines that soar over…
Style:
Composer:
Jon Metzger
Publisher:
C. Alan Publications
Originally titled, Prelude and Nocturne for the left hand, Op. 9 no. 1&2, this piece is composed of two movements and is originally written in 1894 for piano and strictly for the left hand. The musical style of the piece conveys late romanticism and is…
Style:
Solo Works
Composer:
Jesus Martinez, Scriabin
Publisher:
C. Alan Publications
A lead-sheet version of Riversong, just like what a jazz musician would use, is first in this piece. In comparing it to the written-out version, you can place yourself in the shoes - and mind’s ear - of an improvising jazz musician and determine what…
Style:
Solo Works
Composer:
Jon Metzger
Publisher:
C. Alan Publications
Metzger’s jazz background helps to infuse the improvisatory elements in the piece, while his keen sense of musical form and direction round out the classical side. The moods of the composition range from sweet to playful to angry to serene and back again.…
Style:
Solo Works
Composer:
Jon Metzger
Publisher:
C. Alan Publications