Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Program NotesConsortium was written for the University of North Carolina at Greensboro Percussion…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of orchestration really brings out all the rhythmic and harmonic nuances inherent in the piece. Curled…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
OU Percussion Press
This composition evokes the dark, sinister feeling that surrounds Mt. Diablo located in San Francisco. To achieve this feeling, the composition is written in A minor. The piece begins with the thunderous sounds of agitato drumming, followed by the rhythmic…
Style:
Percussion
Composer:
Kandis Taylor
Publisher:
C. Alan Publications
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Rather free and abstract introduction leads into several morphing grooves. Lines and accents are passed freely throughout the ensemble at breakneck speeds.
Grade Level: 4 Copyright: 2000 Number of Players: 6 Duration: 8:00 Publisher: C. Alan Publications Type…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
(Don't Tell Me!)
A Cha-Cha, groove-oriented piece featuring a "musical argument" between vibraphone and marimba which leads to a heated battle at the end of the tune. Sure to please the crowd!Program NotesThis composition is a ChaCha-like, groove-oriented…
Style:
Percussion
Composer:
Kandis Taylor
Publisher:
C. Alan Publications
Marimba Feature
Off Axis includes an impressive virtuosic (yet idiomatic) solo part. Glassock uses the ensemble as a sounding board for the solo marimba with much rhythmic interplay and imitation. Constantly changing meters (4/4, 7/16, 9/16, 3/4, etc.) before…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
8 Festive Holiday Arrangements for 2 or 4-Mallet Marimba…
Style:
Solo Works
Composer:
Kandis Taylor
Publisher:
C. Alan Publications
Marimba Feature
Reconcilable Differences is an intriguing work for solo marimba with percussion trio. The rhythmic structure of the work starts out with recurring 32nd note motives that are slow soft and undulating. As the work progress the rhythmic structure…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
After a brief 8-bar battery percussion feature, Seaside Stroll settles into a simple, yet catchy, melody and accompaniment played by the keyboard percussion. This piece is designed to sound complex while remaining simple enough for the developing…
Style:
Percussion
Composer:
Kandis Taylor
Publisher:
C. Alan Publications