Using text from a sonnet by John Keats, Souza weaves together unique sonic textures by requiring the percussionist to play simultaneously on marimba, vibraphone and glockenspiel.Program NotesBright Star uses text from a sonnet by John Keats: Bright star,…
Style:
Percussion
Composer:
Ricardo Souza
Publisher:
C. Alan Publications
With text by Lord Byron, The Destruction of Sennacherib is a powerful work for amplified spoken voice and a battery percussion septet. The piece is driving from beginning to end and will add a lot of variety to a percussion ensemble concert!Program NotesThe…
Style:
Percussion
Composer:
Jeffrey Barudin
Publisher:
C. Alan Publications
Inspired by the O'Shaughnessy poem, Ode ("We are the music maker and we are the dreamers of dreams"), The Dreamers of Dreams seeks to capture the essence of building something from the ground up, such as a percussion program. The rousing celebratory nature of…
Style:
Percussion
Composer:
Nathan Daughtrey
Publisher:
C. Alan Publications
Schubert's famous Erlkönig (The Erlking) arranged for percussion ensemble and baritone voice (or euphonium) soloist. The colors of the percussion instruments enhance the persistent tension in Schubert's setting of Goethe's poem.Program NotesThe Erlking (…
Style:
Percussion
Composer:
Stephen Primatic
Publisher:
C. Alan Publications
This wonderful piece is based on the poetry of Emily Dickinson. Each song beautifully paints a picture from her words. The 4-mallet marimba writing is very idiomatic and well-written.Program NotesFirst Place Winner in the 1994 PAS Composition Contest. You can…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Mezzo Soprano Feature
This collection of songs for soprano voice and band celebrate Maryland’s heritage by setting four diverse poems to music: “At the Edge of the Choptank River,” “A Maryland Road,” “On Chesapeake Shores: A Fisherman’s Sonnet,” and “The…
Style:
Concert Band
Composer:
Jack Stamp
Publisher:
C. Alan Publications
Imagine a singer/songwriter that doesn’t use a guitar or piano to accompany themselves, but a marimba! That’s what these three songs explore, but with some added metric twists indicative of a percussionist’s rhythmic mind. With poignant lyrics from Josh…
Style:
Percussion
Composer:
Josh Oxford
Publisher:
C. Alan Publications
In Moral Compass, Metzger conveys Twain’s time-honored and meaningful text in a new light, blending jazz and classical styles. Throughout every movement of the piece, the saxophone and voice are woven together to create beautiful lyrical lines that soar over…
Style:
Composer:
Jon Metzger
Publisher:
C. Alan Publications
Paschal Dances is based on the first two lines of the famous Gregorian Easter sequence, "Victim paschali laudes" (Praises to the Paschal Victim). Motives and phrases of the chant are used to unify the work which comprises an Invocation, 4 Dances, 2 Interludes…
Style:
Percussion
Composer:
David R. Gillingham
Publisher:
C. Alan Publications
Upon my arrival in the South in 1971, I became aware of and enamoured with these three hymns. I had done previous settings for voice and piano and subsequently, for soprano solo and wind orchestra. With the passing of time, I felt the need to revisit my…
Style:
Concert Band
Composer:
Luigi Zaninelli
Publisher:
C. Alan Publications