Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Program NotesConsortium was written for the University of North Carolina at Greensboro Percussion…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of orchestration really brings out all the rhythmic and harmonic nuances inherent in the piece. Curled…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
OU Percussion Press
With text by Lord Byron, The Destruction of Sennacherib is a powerful work for amplified spoken voice and a battery percussion septet. The piece is driving from beginning to end and will add a lot of variety to a percussion ensemble concert!Program NotesThe…
Style:
Percussion
Composer:
Jeffrey Barudin
Publisher:
C. Alan Publications
Downside, Up and Around explores the range of textures and timbres made possible by simple set-ups. It features two snare drum soloists accompanied by five percussionists and is influenced by techno music, which focuses on long-scale ostinati with gradual…
Style:
Percussion
Composer:
Jeffrey Barudin
Publisher:
C. Alan Publications
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the wooden sounds and form their own groove/melody in 12/8. The piece concludes in a persistent, driving…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
This wonderful piece is based on the poetry of Emily Dickinson. Each song beautifully paints a picture from her words. The 4-mallet marimba writing is very idiomatic and well-written.Program NotesFirst Place Winner in the 1994 PAS Composition Contest. You can…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
One of Liszt's most famous solo piano works, Hungarian Rhapsody No. 2 remains one of the most virtuosic in the repertoire as well. Daughtrey and Lasley have attempted to recreate the showy, virtuosic nature of this masterpiece in their challenging adaptation…
Style:
Percussion
Composer:
Nathan Daughtrey, M. Lasley, Liszt
Publisher:
C. Alan Publications
The Line Around Us is a sextet that explores an extreme membranophone range, accented by the use of cymbals. The work helps performers strengthen ensemble awareness, work on polyrhythmic figures, and develop dynamic sensitivity.Program NotesThe Line Around Us…
Style:
Percussion
Composer:
Jeffrey Barudin
Publisher:
C. Alan Publications
Rather free and abstract introduction leads into several morphing grooves. Lines and accents are passed freely throughout the ensemble at breakneck speeds.
Grade Level: 4 Copyright: 2000 Number of Players: 6 Duration: 8:00 Publisher: C. Alan Publications Type…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications