Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Program NotesConsortium was written for the University of North Carolina at Greensboro Percussion…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Timpani Feature
This is a challenging work for the solo timpanist. Pitch changes and extreme expression are some of the demanding characteristics found in this piece.Program NotesDivertissement by Alex Orfaly was the 2nd Place Winner of the 2001 Percussive…
Style:
Percussion
Composer:
Alex Orfaly
Publisher:
C. Alan Publications
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the wooden sounds and form their own groove/melody in 12/8. The piece concludes in a persistent, driving…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Off Axis includes an impressive virtuosic (yet idiomatic) solo part. Glassock uses the ensemble as a sounding board for the solo marimba with much rhythmic interplay and imitation. Constantly changing meters (4/4, 7/16, 9/16, 3/4, etc.) before…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Reconcilable Differences is an intriguing work for solo marimba with percussion trio. The rhythmic structure of the work starts out with recurring 32nd note motives that are slow soft and undulating. As the work progress the rhythmic structure…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Timpani Feature
Much dialog between the solo part and the percussion parts is used to create an exciting ensemble dynamic. A great deal of time, the solo part sits atop the other parts, but also at time is required to function as part of the ensemble.…
Style:
Percussion
Composer:
Alex Orfaly
Publisher:
C. Alan Publications
Program NotesStructure Set was originally written in the Spring of 1997 for the Preparatory percussion ensemble at the Cleveland Institute of Music. The version here has been re-written but contains much of the original material.Most of the musical ideas are…
Style:
Percussion
Composer:
Alex Orfaly
Publisher:
C. Alan Publications
A majestic intro leads into a syncopated melody in the marimba, supported by the rest of the mallet instruments. Middle section of the piece features everyone on wooden instruments, then on membrane instruments. Perfect for a high school or college ensemble.…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
In the musical world, the sounds of the flute and those of the majority of percussion instruments are not the closest of kin. Despite this difference in sonic quality (or more likely because of it), numerous interesting and effective compositions have been…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications