Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Program NotesConsortium was written for the University of North Carolina at Greensboro Percussion…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of orchestration really brings out all the rhythmic and harmonic nuances inherent in the piece. Curled…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
OU Percussion Press
Three-movement work for solo marimba with a small multiple percussion set-up, including 2 congas, 2 bongos, 5 temple blocks, and chimes. The interplay between the marimba and percussion instruments emulates the title of the piece by creating a fascinating…
Style:
Solo Works
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the wooden sounds and form their own groove/melody in 12/8. The piece concludes in a persistent, driving…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Etude No. 4 was conceived to develop dexterity, strength, and endurance in double lateral, four-mallet sticking technique. The sequential sticking pattern 123234 is a pattern I use in a variety of applications in everyday practice. Dedicated to Leigh Howard…
Style:
Solo Works
Composer:
Michael Burritt
Publisher:
C. Alan Publications
Etude No. 5 is an exercise that develops independence between the hands. It centers around rolling in one hand while playing rubato in the other. The etude also works much like a multiple percussion piece in that the performer is required to make mallet…
Style:
Solo Works
Composer:
Michael Burritt
Publisher:
C. Alan Publications
Etude No. 6 develops both rhythmic and dynamic independence between hands as well as one-handed rolls, double lateral and double vertical strokes. This is also a good exercise for developing consistency in octave passage work. A good sense of pulse is…
Style:
Solo Works
Composer:
Michael Burritt
Publisher:
C. Alan Publications
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
This wonderful piece is based on the poetry of Emily Dickinson. Each song beautifully paints a picture from her words. The 4-mallet marimba writing is very idiomatic and well-written.Program NotesFirst Place Winner in the 1994 PAS Composition Contest. You can…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
In this 7-1/2 minute composition, Lefkowitz explores the myriad of sounds that can be produced on the marimba. It is intended to be played with six mallets - one super ball mallet in each hand along with the standard four yarn mallets - though no more than…
Style:
Solo Works
Composer:
David Lefkowitz
Publisher:
C. Alan Publications