Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Program NotesConsortium was written for the University of North Carolina at Greensboro Percussion…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of orchestration really brings out all the rhythmic and harmonic nuances inherent in the piece. Curled…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
OU Percussion Press
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the wooden sounds and form their own groove/melody in 12/8. The piece concludes in a persistent, driving…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the listeners to constantly shift their attention from one to the other.
Grade Level: 3 Copyright: 1996…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Lacuna is a solo for marimba with percussion trio accompaniment. The first section is a combination of chordal and independent stickings in the solo marimba part over an ostinato in the vibraphone. The second section is a combination of two…
Style:
Percussion
Composer:
Jeff Calissi
Publisher:
C. Alan Publications
Named for the Titan God, ,b>Oceanus is a three-movement work for vibraphone that is reflective of the earth’s bodies of water. The entire piece is constructed around the pitch “C” as a tonal center utilizing a combination of scales and modes. Each movement…
Style:
Percussion
Composer:
Jeff Calissi
Publisher:
C. Alan Publications
Marimba Feature
Off Axis includes an impressive virtuosic (yet idiomatic) solo part. Glassock uses the ensemble as a sounding board for the solo marimba with much rhythmic interplay and imitation. Constantly changing meters (4/4, 7/16, 9/16, 3/4, etc.) before…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Reconcilable Differences is an intriguing work for solo marimba with percussion trio. The rhythmic structure of the work starts out with recurring 32nd note motives that are slow soft and undulating. As the work progress the rhythmic structure…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
This driving percussion quartet features a constantly changing sense of pulse that can be found in many genres of music, including East African folk music, Balinese Gamelan ensembles, medieval isorhythmic motets and even American rudimental drumming.Program…
Style:
Percussion
Composer:
James M. David
Publisher:
C. Alan Publications
A majestic intro leads into a syncopated melody in the marimba, supported by the rest of the mallet instruments. Middle section of the piece features everyone on wooden instruments, then on membrane instruments. Perfect for a high school or college ensemble.…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications