In nuclear physics, the term “critical mass” refers to the smallest amount of fissile material needed for a sustained nuclear chain reaction. Critical Mass for 12 player percussion ensemble portrays this idea as it gains, and at times loses its ability to…
Style:
Percussion
Composer:
Matt Moore
Publisher:
C. Alan Publications
Three-movement work for solo marimba with a small multiple percussion set-up, including 2 congas, 2 bongos, 5 temple blocks, and chimes. The interplay between the marimba and percussion instruments emulates the title of the piece by creating a fascinating…
Style:
Solo Works
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the wooden sounds and form their own groove/melody in 12/8. The piece concludes in a persistent, driving…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
This wonderful piece is based on the poetry of Emily Dickinson. Each song beautifully paints a picture from her words. The 4-mallet marimba writing is very idiomatic and well-written.Program NotesFirst Place Winner in the 1994 PAS Composition Contest. You can…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Rather free and abstract introduction leads into several morphing grooves. Lines and accents are passed freely throughout the ensemble at breakneck speeds.
Grade Level: 4 Copyright: 2000 Number of Players: 6 Duration: 8:00 Publisher: C. Alan Publications Type…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Off Axis includes an impressive virtuosic (yet idiomatic) solo part. Glassock uses the ensemble as a sounding board for the solo marimba with much rhythmic interplay and imitation. Constantly changing meters (4/4, 7/16, 9/16, 3/4, etc.) before…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Marimba Feature
Reconcilable Differences is an intriguing work for solo marimba with percussion trio. The rhythmic structure of the work starts out with recurring 32nd note motives that are slow soft and undulating. As the work progress the rhythmic structure…
Style:
Percussion
Composer:
Lynn Glassock
Publisher:
C. Alan Publications
Spring Street Strut is a love-letter to the sounds of New Orleans streets. Sitting somewhere between traditional jazz, dixieland, and ragtime, the piece attempts to bring these classic sounds to a concert percussion ensemble setting. Chord symbols are given…
Style:
Percussion
Composer:
Matt Moore
Publisher:
C. Alan Publications
Stage Select is a poppy romp through the menu of a video game! A woodblock cue represents ‘clicking' between Title Screen, City Stage, Beach Stage, and Boss Stage. The movements take the audience on a whirlwind tour through a variety of pop styles - funk,…
Style:
Percussion
Composer:
Matt Moore
Publisher:
C. Alan Publications
Stealing the Sandblade aims to channel the energy of action/spy films into an intermediate percussion ensemble setting. The piece takes the listener through the story arc: the explosive opening scene, planning the mission, setting off across the desert, the…
Style:
Percussion
Composer:
Matt Moore
Publisher:
C. Alan Publications